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・ Mario Rutelli
・ Mario Röser
・ Mario Sabatini
・ Mario Saccone
・ Mario Sagario
・ Mario Salani
・ Mario Salas
・ Mario Salas Saieg
・ Mario Saldívar
・ Mario Salgado
・ Mario Salieri
・ Mario Saliwa
・ Mario Salmi
・ Mario Salvadori
・ Mario Salvini (ceramist)
Mario Sammarco
・ Mario Sampirisi
・ Mario San Román
・ Mario Sanchez
・ Mario Sanchez (artist)
・ Mario Sanchez (soccer)
・ Mario Sandoval
・ Mario Sandoval Alarcón
・ Mario Santana
・ Mario Santana (UChicago)
・ Mario Santiago
・ Mario Santiago (baseball)
・ Mario Santiago Papasquiaro
・ Mario Santibáñez
・ Mario Santilli


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Mario Sammarco : ウィキペディア英語版
Mario Sammarco

(Giuseppe) Mario Sammarco (December 13, 1868, although some sources say 1867 – January 24, 1930) was an Italian operatic baritone noted for his acting ability.
==Biography==
Sammarco was born in Palermo, Sicily, and studied locally with Antonio Cantelli. He made his operatic début in Palermo as Valentine in ''Faust'' in 1888. He subsequently sang to acclaim in Milan (at La Scala, Italy's most celebrated theatre), Buenos Aires and London. Between 1904 and 1919 he appeared intermittently, in 26 different roles, at the Royal Opera House, Covent Garden.
In New York City, he was hired by Oscar Hammerstein I for his Manhattan Opera Company as a replacement for the great French singing-actor Maurice Renaud. He sang with the Manhattan company in 1908-1910, becoming its principal Italian baritone, but he never 'graduated' to the rival Metropolitan Opera.
Sammarco next joined the ChicagoPhiladelphia opera company. His career there continued smoothly enough until 1913 when he encountered a disapproving Mary Garden in a Chicago production of ''Tosca''. The soprano requested that he be replaced; but after he named some of his former distinguished (and uncomplaining) Tosca partners, notably Emmy Destinn, the performances proceeded to be given to critical success.
His final operatic appearances were at the Teatro di San Carlo in Naples in 1919.
Apart from Scarpia (his debut role at Covent Garden), he was a famous Rigoletto, Marcello, Germont, Renato, Enrico and Amleto, appearing opposite some of the finest singers of his day. No bel canto specialist, he was at his best in ardent verismo works, creating the roles of Gerard in Giordano's ''Andrea Chénier'' in 1896 and Cascart in Leoncavallo's ''Zazà'' in 1900.
Sammarco was active during an era that was thronged with Italian baritones of exceptional ability. It was no small achievement for him to carve out a lucrative international career in the face of powerful competition from the likes of Mattia Battistini, Antonio Magini-Coletti, Giuseppe Campanari, Mario Ancona, Giuseppe Pacini, Antonio Scotti, Eugenio Giraldoni, Riccardo Stracciari, Titta Ruffo, Domenico Viglione Borghese, Pasquale Amato and Carlo Galeffi.
He taught singing after retiring from the stage and died in Milan.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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